November 22, 2010
Rachmaninoff's Signature
It's expected for an artist to sign his or her work in the bottom corner of a painting. In this hour, the musical signature that Sergei Rachmaninoff used in a number of his works. It shows up at the end of his Second Piano Concerto. We'll hear a performance by pianist Alexander Kobrin and the KBS Symphony Orchestra of South Korea, and the sweet Schumann encore Kobrin played when it was over.
Today's Playlist
Performance Today audio is available for seven days following broadcast.
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Paul Hindemith
March from Symphonic Metamorphosis of Themes by Carl Maria von Weber
The San Francisco Symphony, Herbert Blomstedt, conductor
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Francisco Tarrega
Gran Jota
Pepe Romero, guitar
Spivey Hall, Morrow, Georgia
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Francois Couperin
Concert Royal Concerto No. 2 in D
Ramon Ortega Quero, oboe, Olga Watts, harpsichord
Lucerne Festival, Lucerne, Switzerland
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George Frideric Handel
Royal Fireworks Music
The Los Angeles Philharmonic, Herbert Blomstedt, conductor
Walt Disney Concert Hall, Los Angeles
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Isaac Albeniz
Capricho Catalan
Stephen Hough, piano
Orchestra Hall, Minneapolis
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Sergei Rachmaninoff
Etudes-Tableaux No. 2 in C and No. 6 in E-flat, Op. 33
Vladimir Ashkenazy, piano
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Sergei Rachmaninoff
How Fair this Spot, Op. 21, No. 7
Arturo Delmoni, violin, Wendy Chen, piano
Strings Music Festival, Steamboat Springs, Colorado
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Anatoly Liadov
A Musical Snuffbox, Op. 32
Denis Matsuev, piano
Chopin and his Europe International Music Festival, Warsaw, Poland
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Traditional (Arranged by Gregory Brown)
The Dying Californian
New York Polyphony
Urness Recital Hall, Northfield, Minnesota
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18
Alexander Kobrin, piano, the KBS Symphony Orchestra, Claus Peter Flor, conductor
Arts Center, Seoul, South Korea
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Robert Schumann
Of Foreign Lands and Peoples, from Scenes from Childhood, Op. 15
Alexander Kobrin, piano
Arts Center, Seoul, South Korea