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May 2, 2008

An hour in spain

Our second hour will feature music from and inspired by Spain, brought to you by the Renaissance recorders of the Royal Wind Music, the flamenco-flavored guitars of the Romeros, and violinist Karen Gomyo and the Buffalo Philharmonic, who will play Edouard Lalo's "Symphonie Espagnole."

Today's Playlist

hour 1

  • Brad Mersereau
    "Alice"
    Pianist Brad Mersereau
    Lincoln Performance Hall, Portland, Oregon
  • Frederic Chopin
    Preludes, Op. 29, No. 19 in E-flat and No. 20 in C Minor
    Pianist Martha Argerich
  • Gyorgy Kurtag
    "Tumble Bunny" from “Jatekok" ("Games")
    Pianist Mitsuko Uchida
    Royal Festival Hall, London, England
  • Johann Sebastian Bach
    Contrapunctus No. 1 from "The Art of the Fugue"
    Pianist Mitsuko Uchida
    Royal Festival Hall, London
  • Jan van Gilse
    Symphony No. 2 in E-flat
    The Royal Concertgebouw Orchestra with conductor Marcus Stenz
    The Concertgebouw, Amsterdam, the Netherlands
  • A conversation with composer Kirke Mechem
    His new opera, "John Brown," premieres in Kansas City tomorrow.
  • Tomas Luis de Victoria
    "O regem caeli"
    Lionheart
    Christ and St. Luke's Church, Norfolk, Virginia

hour 2

  • Francisco Tarrega
    "Recuerdos de la Alhambra"
    Guitarist Celedonio Romero
  • Francisco Correa de Arauxo
    Glosada LXVI sobre la canGlosada LXVI sobre la cancion de Tomas Crequilion llamadacion de Tomas Crequilion llamada
    The Royal Wind Music
    Jordan Hall, Boston
  • Rev. Francisco de Madina
    Quartet No. 1 for Angelita Romero
    The Romeros
    Spivey Hall, Clayton, Georgia
  • Edouard Lalo
    "Symphonie Espagnole"
    Violinist Karen Gomyo with the Buffalo Philharmonic and conductor JoAnn Falletta
    Kleinhans Music Hall, Buffalo

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Photo: #My Dear Spiering: I am sitting here in Munich and am rehearsing to the utmost of my strength on my Eighth Symphony. I miss you very much. The concertmaster is fair, but without any deeper understanding and has no influence on the orchestra. I hope that I shall see you here in September. I have received no news from America. As you know, due to my insisting, a good manager has been engaged, but to my displeasure he has suggested and arranged 65 concerts for the season. He maintains that without this increase in concerts he will not be able to insure a financial success. I asked for a small increase of my salary, on account of the added amount of work. My contract only calls for 45 concerts. My request however, was not granted by the committee, so I shall just have to abide by my contract. I have submitted my decision to the committee, but have heard nothing since then. I greet you heartily and thank your wife for her dear lines. I hope that I shall meet her this year. My wife also sends hearty greetings. Mahler
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